![]() ![]() It is also known as the English three-seater or the birch-arm sofa and is characterized by low set-back rams, slightly rolled back, a distinctively tailored skirt, and padded but loose cushions.Even though it fits well in most rooms however it is styled, it is seldom going to be the stand-out feature of the room. Similar to the English rolled arm sofas, Bridgewater also has slightly rolled arms at its sides which are lower in the back. A Bridgewater sofa is defined as comfortable and casual.You can simply replace or remove the worn-out or soiled cover all the while preserving your sofa’s beauty. These types of sofa sets are ideal if you use a slipcover on your furniture.English rolled arms sofas appeared in the 20th century in British country manors and have been described as the furniture equivalent of a meatloaf.To blend the traditional and contemporary, you can opt for stripe pattern works or a geometric pattern. For instance, you can opt for a straight leg for a modern style and a turned leg for traditional decor. You can customize the leg to match your choice of furniture styles.Perfect for a parlor or a living room, these coordinate well with all modern furniture. These sofas are characterized by tight, rounded arms that are slightly lower than the back, loose seat cushions, and a tight back.Certain English rolled arm sofas have arms so low that they appear to be armless. It’s similar to Bridgewater but is distinguished by its taut upholstery and low arms. ![]() The upholstery is tight yet it is decently cushioned all over, even on the arms. Also called the English sofa, the English rolled arm sofas are known for their low arms with high backs.Working with Gufram, the foam furniture innovator du jour, Audrito realized the now-iconic cartoonish sofa called Marilyn (it now goes by Bocca), as an homage to both the crimson-mouthed starlet and the gym’s lipstick-loving owner, Marilyn Garosci. Several iterations of this idea were made in the 1930s, all with slight variations, and all served as inspiration, decades later in 1970, to Italian designer Franco Audrito of Studio 65 who had just been commissioned to design a fitness center in Milan. As Dalí worked on a few for James, across the channel, Paris decorator Jean-Michel Frank was making his own riff-a lips-shaped sofa for the fashion designer Elsa Schiaparelli. It starts with a 1935 watercolor by Salvador Dalí in which the surrealist artist portrayed the actress Mae West with a sofa for a mouth-a furnishing so provocative that British arts patron Edward James requested one. “But to appear like a soft, creased fabric curled around this soft mass and held together by a sort of giant metal spring.” Production stopped in 1982, but since designers and tastemakers like Kelly Wearstler (she loves them all!) and Rodman Primack began clamoring for vintage models, Cassina decided to re-introduce the design earlier this year. “The leather covering was not supposed to be taut,” Scarpa later explained. That was what happened when Tobia and Afra Scarpa received an urgent call from furniture maestro Cesare Cassina in November 1969: Could the Italian architect-son of a famous architect father, Carlo-and his wife come up with a radical new sofa in time for the Cologne trade show in January? The Scarpas came up with Soriana, a hunk of expanding polyurethane wrapped in leather and cinched in the middle with a shiny metal belt. Iconic designs often emerge out of a challenge. These days it’s become a sort of poster child for the Blob Sofa trend.Īfra and Tobia Scarpa’s Soriana seating system in Rodman Primack and Rudy Weissenberg’s Mexico City home. Production stopped in 1979, but as the couch steadily climbed to superstar status in recent years (vintage ones appeared in homes of Beastie Boy Mike D, Athena Calderone, and Chrissy Teigen) B&B Italia decided to put it back into production using only recycled or recyclable materials. In an interview with AD last year, he revealed that to come up with Camaleonda he “Crossed two words: Camaleonte, or chameleon, an extraordinary animal capable of adapting to its environment, and onda, or wave.” The invented word captured the endlessly adaptable nature of the sofa system he designed for B&B Italia in 1970, in which bulbous modules of fabric-covered polyurethane hook together using simple, integrated carabiners to create endless configurations, from sectionals and armchairs to ottomans and daybeds. However, it’s worth committing this piece’s proper name to memory (after all, Bellini designed other sofas). This one is often nicknamed the “Bellini Sofa,” after its Italian creator, Mario Bellini. ![]()
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